Flights (Tokarczuk)

Identity is often taken for granted with discourses of identity being around the dealing-with from the outside of pseudo-soul "identities". Not so in this text. Two fascinations pervade this text - the first being travel and the second being flesh-as-flesh. In both, two separate paths are drawn around the issue of identity. The former being the topological, discourses made to create the identity from the individual person, as well as the individual's own self-writing as they go forward in their travels. The latter being geometric, the individual's relationship to the flesh, their own and the broad abstract of The Flesh. Within this setup, a non-linear series of vignettes explores these themes down all manner of promenades and detour.

Comments

Post a Comment

Popular posts from this blog

Taimanin Asagi (Anime)

Oboro, for all her sadism and acceptance of Black's goals on the surface, never truly accepted the demonic presence inside her. For all she facilitated Asagi's induction into the arena, it was always out of a homoerotic rivalry as warriors. it was for this that she failed in the end. She never fully grasped the true nature of what was occurring when she inducted herself into the world of demons. Rather, it's Asagi who Black understands the true potential of. After the death of her boyfriend, she loses all ties to the ways of a ninja, ways which Oboro was still bound to, despite her demonic possession. Asagi then falls into a fully carnal state, engaging in nihilistic violence after killing her ties to her old ninja order. Asagi, in doing so, better fulfill Black's goal and ideal than Oboro ever did. Violence is as we can all know from Bataille, the opposite side of sex, with both being expressions of the same libidinal force, what Suda51 uses again and again in his ga
Read more

Koufuku Graffiti

In the Masque of the Red Death by Poe, the chambers of the fortress make an erotic journey by which the antagonist-flow penetrates, slipping through like water pours through cracks in stone, following the channels and pathways set for it by what it invades. This anime does the same thing, using the social-cultural facts of food in order to be the linguistic-chambers of flow for the erotic flows of sexuality and romance which are shared by the two main characters. The food is obviously a metaphor for sex, pornographic shots of consumption and orgasmic expressions resulting. What's interesting isn't so much the fact of food being a metaphor for sex, but the fashion in which sex is related to the two characters. The characters share their experience culturally and socially, which provides the vehicles by which they share the erotic experiences. It's in this that we find the ultimate point of this series, the way in which *romance*, the cultural and social rituals, prepare the
Read more